
R. Scot Johns is a life-long student of ancient and medieval literature, with an enduring fascination for Norse mythology and epic fantasy. He first came to Beowulf through his love of J. R. R. Tolkien, a leading scholar on the subject. As an Honors Medieval Literature major he has given lectures on such topics as the historical King Arthur and the construction of Stonehenge. He owns and operates Fantasy Castle Books, his own publishing imprint, and writes the blog Adventures of an Independent Author, where you can follow his progress as he writes
The Jester’s Quest, his second novel.

You can visit his website at
www.fantasycastlebooks.com.
About the Book:The Saga of Beowulf is the first complete and accurate novelization of the epic Old English poem
Beowulf, chronicling the tragic wars of the rising Nordic nations, the endless blood-feuds of their clans, battles with mythic creatures in an ancient heroic age, and the final, futile struggle of one man against the will of Fate that made of him a Legend.
The story follows the young Norse warrior Beowulf as he embarks upon a fateful quest for vengeance against the creature that slew his father, setting in motion a sequence of events that will bring about the downfall of a nation, all the while fleeing from the woman he has sworn to love. Based on extensive historical research and steeped in Nordic myth and lore, the saga unfolds across the frozen fields of Sweden and the fetid fens of Denmark, ranging from the rocky heights of Geatland to the sprawling battlefields of ancient France, as our hero battles men and demons in a quest to conquer his own fears.
"An epic adventure 1500 years in the making," this classic tale now comes to life once more in a bold new retelling for a modern audience.
Welcome to Pump Up Your Online Book Promotion, Scot. Can we begin by having you tell us what The Saga of Beowulf is about and why you wrote it?The Saga of Beowulf is the first complete and accurate novelization of the 10th century Old English poem
Beowulf. Since the early 1900’s there have been a number of short prose renditions, aimed for the most part at young readers, but it wasn’t until John Gardner’s 1971 novella
Grendel, that an author attempted a unique retelling that was more than an extended prose translation. But that work only covered the first episode of Beowulf. A few years later Michael Crichton wrote
Eater of the Dead, which wasn’t published until much later, and bore very little resemblance to the original story. In 1976 Parke Godwin wrote the first novel-length adaptation, at just over 300 pages, but again the book took so many liberties with the story as to render it an altogether different tale. More recently a number of alternate universe sci-fi versions have appeared, as well as alternate point-of-view retellings, none of which have brought the whole story as it was intended to a modern audience. That was my intention when I undertook this work, to tell the entire story of Beowulf, not only as it’s given in the poem, but also by expanding on the myriad historical or folk tale references strewn throughout its 3200 lines of verse. This required many years of research, ranging from archaeological excavations to references in ancient chronicles.
The Saga of Beowulf is a fantasy novel. Why did you choose this genre to write? Did you choose it or did it choose you?It most definitely chose me. The interesting thing to note with respect to the original Beowulf poem is that it has generally been dismissed as mere fiction, little more than a compendium of folk tales woven into one. Not until J. R. R. Tolkien’s lecture of 1936 was it taken at all seriously by academics, and since that time a great debate has raged concerning the extent to which certain elements contained in it are true. Much like Homer’s works or the tales of Robin Hood, in which a grain of fact and a handful of historical figures have been obscured by legend and lore, so too, Beowulf contains a basis of actual fact, overshadowed by its clearly fictitious elements, such as trolls and fire-breathing dragons. But some of its characters did, in fact, live in this world, and several references in the poem are to actual events, most notably King Hrothgar’s ill-fated expedition to Frisia. Thus, at least to some degree, it must be considered a work of historical fiction, or what I like to call “historical fantasy.”
In regards to promotion, what have you been doing to promote your book online?In addition to building a fairly extensive website with a host of resources from sample chapters to adaptation notes and conceptual artwork, I write a blog called “The Adventures of an Independent Author,” in which I discuss the ongoing process of publishing and marketing my debut novel. This will soon encompass the writing process as well, as I embark upon my sophmore effort. In addition, I’ve created a video trailer which is posted on these sites as well as YouTube, MySpace, and several other networking websites. Likewise, I created a Flash ad which I run through GoogleAds, and occasionally on MySpaceAds, as well as text and static image ads. I printed up a bunch of bookmarks, which I give out to anyone I meet. I made a press kit, which I posted on my website, although I haven’t sent it out to anyone, as I’ve opted not to pursue brick-and-mortar stores or traditional media, due both to the prohibitive cost of printing this book and the niche-genre it fits into. I have done two interviews on book-related blogs, and given away several copies of the book through online contests. A large part of my marketing effort (and financial investment) has gone into gaining reviews, so far netting only six out of the nearly thirty copies I’ve sent out, although I only started sending them out after the book was published in October of last year, so I expect many more to come in the next few months. Of the six, all but one have been five star reviews, the other rating only four. Amazon has also been a major focus of my marketing, with my blog feed linked to my listings, the Search Inside feature activated, and a lot of additional description added manually. I have also taken advantage of their Kindle format, which has proven the most successful of the many ebook editions I’ve released. Just recently I have added a direct purchase option to my blog and website, both for the print edition and the digital downloads. Networking has been a part of this equation as well, through sites like LibraryThing and GoodReads, and other author/reader forums and book posting sites, although I haven’t had much time as yet to delve into these as deeply as I’d like.
Of all the promotional items (bookmarks, press kits, etc…) you have used to promote your book, which one was used most effectively?That’s hard to say, as I have no real way to measure tangible results in terms of actual sales. I would hazard to say that the review copies have probably given me the most exposure, since the review and cover art are posted up for many eyes to see. But as far as utilizing a promotional item most effectively I’d have to say the bookmarks, because they’re the only real direct contact I’ve have with potential readers, and I’ve also been able to send them out throughout the world for the cost of a postage stamp. I leave some wherever I go, and put one in every letter I send out.
Do you feel that the Internet has opened doors for authors who never dreamed they’d ever see a publishing contract and how has it influenced you in regards to your own publishing journey?
Absolutely. Just as digital delivery has freed today’s musicians from the restrictive limitations of commercial record company economics by allowing artists appealing to a narrower niche to reach their target market, so too can authors reach out to their readers, wherever they may be, from the comfort of their own homes. Global networking has opened up vast opportunities for writers to connect directly with potential readers that they could never have met through traditional means. Even with the biggest promotional budget, it’s just not practical for an author to make a personal stop in every bookstore in every city around the world, and even writers who promote their books through lectures and speaking tours full time would be hard pressed to make it worth their while to schedule stops in towns of a less than moderate size, let alone a solitary farmstead out on the plains of Kansas or high up in an alpine valley of Austria. A single blog post connects directly with them both, rendering even the smallest niche potentially viable. With the advent of ebooks and print-on-demand technology, those opportunities have flourished, and will only continue to do so as these media and delivery methods become more affordable and effective. As far as my own experience is concerned, I would say that I have become far more directly involved in the every aspect of the publishing process than I had ever thought to be. And this, of course, has made it an incredibly educational journey.
If you were in the middle of Manhattan (or any busy thoroughfare) and you wanted to call attention to your book, what would you do and what would you say?I would never call attention to myself in the middle of Manhattan, or any busy thoroughfare, for that matter. Like many authors, I tend to be shy and reserved in public places, preferring to observe rather than acting out. Not that I dislike interacting with people, because I do, so long as it’s on equal footing. I just prefer not to be the center of attention. I don’t protest or carry signs, for example, and won’t even wear a shirt with a slogan on it. I might do something like that if I were in a costume, perhaps, but it wouldn’t be by choice. I didn’t even put a picture of myself in my book. I had thought about renting a Viking outfit for my photo, but fortunately thought better of it before I did. Probably what I would prefer to do, were a Manhattan street my only marketing option, would be to sit down in a comfortable chair with a stack of my books and chat with anyone that happens to stop by. That’s more my style of interaction.
If you could trade places with any author just for a day, who would it be and why?
William Shakespeare. I’d like to know what was going through his mind when he wrote Hamlet. Or on any given day, for that matter. How must it have been to write a line like “For in that sleep of death what dreams may come when we have shuffled off this mortal coil must give us pause.” And how exciting to see those scenes enacted on the stage that first time. To have such thoughts and wit and success all wrapped in one bright life. For an author to write a single Hamlet in one lifetime is genius. To also write a dozen others just as good simply boggles my mind.
Lastly, how do you determine your book’s success?
If a single reader is touched, or moved, or entertained to the point of expressing their satisfaction or enjoyment, the author has met with success. Nothing else matters. It is a shared experience, from the mind of the author to the heart of the reader.
Thank you for coming, Scot! Can you tell us where everyone can pick up a copy of The Saga of Beowulf?Yes I can! In fact, you can purchase it directly from the source via my website (
www.fantasycastlebooks.com) or my blog (
authoradventures.blogspot.com), either in print edition or digital download. And for a few bucks extra I will sign the print edition and throw in a bookmark with artwork from the cover. The book is, of course, also available from virtually every online retailer throughout the western world, in print and a wide variety of ebook formats, from Kindle to eReader, for those of you ahead the curve!

R. Scot Johns will be on virtual book tour in March '09. Please visit his official tour page here to find out more about his new book, The Saga of Beowulf! If you would like to host Scot on your blog during his virtual book tour in March, send us an email to thewriterslife@yahoo.com. Please put "I want to host R. Scot Johns" in the subject line. Thank you!
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