Join
Vincent Zandri, author of the thriller novel,
Moonlight Falls (R.J. Buckley Publishing), as he virtually tours the blogosphere in February and March on his first virtual book tour with
Pump Up Your Book Promotion!
About Vincent Zandri
Vincent Zandri is an award-winning novelist, essayist and freelance photojournalist. His novel
As Catch Can (Delacorte) was touted in two pre-publication articles by Publishers Weekly and was called "Brilliant" upon its publication by The New York Post. The Boston Herald attributed it as “The most arresting first crime novel to break into print this season.” Other novels include
Godchild (Bantam/Dell) and
Permanence (NPI). Translated into several languages including Japanese and the Dutch, Zandri’s novels have also been sought out by numerous major movie producers, including Heyday Productions and DreamWorks. Moonlight Falls is his fourth novel. He is the author of the blogs,
Dangerous Dispatches and
Embedded in Africa for RT ( Russia Today TV) which have been syndicated and translated in several different languages throughout the world. He also writes for other global publications, including Culture 11, Globalia, Globalspec and more. Zandri’s nonfiction has appeared in New York Newsday, Hudson Valley Magazine, Game and Fish Magazine and others, while his essays and short fiction have been featured in many journals including Fugue, Maryland Review and Orange Coast Magazine. He holds an M.F.A. in Writing from Vermont College and is a 2010 International Thrillerl. Writer’s Awards panel judge. Zandri currently divides his time between New York and Europe. He is the drummer for the Albany-based punk band to Blisterz. You can visit his website at
www.vincentzandri.com or his blog at
www.vincentzandri.blogspot.com.
About Moonlight Falls
Moonlight Falls is the Albany, New York-based paranoid tale (in the Hitchcock tradition) of former APD Detective turned Private Investigator/Massage Therapist, Richard “Dick” Moonlight, who believes he might be responsible for the brutal slaying by knife of his illicit lover, the beautiful Scarlet Montana. The situation is made all the worse since Scarlet is the wife of Moonlight’s boss, Chief of Detectives Jake Montana.
Why does Moonlight believe he might be responsible?
He’s got a small fragment of a .22 hollow point round buried inside his brain, lodge directly up against his cerebral cortex. The result of a botched suicide attempt four years prior to the novel’s start, an operation to remove the bullt frag would be too dangerous.
But the bullet causes Moonlight lots of problems, the least of which are the occasional memory loss and his rational ability to tell right from wrong. The bullet frag also might shift at any moment, making coma and/or sudden death, a very real possibility.
Still, Moonlight has been trying to get his life together as of late.
But when Scarlet begs him to make the trip over to her house late one rainy Sunday night to issue one of his "massages," he makes a big mistake by sleeping with her. Later, having passed out in her bed, he will be rudely awakened by a garage door opening and Jake's unexpected and very drunken homecoming. Making his impromptu escape out a top floor window, Moonlight will seek the safety of his home.
Two hours later however, he will receive another unexpected visit from Jake Montana. This time the big Captain has sobering news to report. He's discovered his wife's mutilated body in her own bed. She's been murdered and now he needs the P.I. to investigate it in association with Albany 's "overtaxed" Special Independent Unit before I.A. pokes their nose into the affair. Moonlight takes a big step back. Is it possible he made a second trip to the Montana home-sweet-home and just has no recollection of it? Once there, did he perform a heinous crime on his part-time lover? Or is this some kind of set up by his former boss? Is it really Jake who is responsible for Scarlet's death? Does he wish for Moonlight to cover up his involvement, seal the case before Internal Affairs starts poking their nose into the situation?
There’s another problem too.
Covering Moonlight’s palms and the pads of his fingers are numerous scratches and cuts. Are these defensive wounds? Wounds he received when Scarlet put up a struggle? Or are they offensive wounds? Wounds he couldn’t avoid when making his attack on Scarlet with a blade? The answer is not so simple since Moonlight has no idea where he acquired the wounds.
Having no choice but to take on the mission (if only to cover his own ass), Moonlight can only hope the answers to his many questions point to his former boss and not himself.
Read the Excerpt!
Albany, New York
140 miles northeast of New York City
I’m escorted into a four-walled basement room by two suited
agents—one tall, slim and bearded, the other shorter, stockier, cleanshaven.
The space we occupy contains a one-way mirror which I know
from experience hides a tripod-mounted video camera, a sound man and
several FBI agents, the identities of whom are concealed. There's no
furniture in the room, other than a long metal table and four metal
chairs. No wallpaper, no soft lamp light, no piped-in music. Just harsh
white overhead light, concrete and a funny worm smell.
As I enter the room for the first time, the tall agent tells me to
take a seat at the table.
“We appreciate your cooperation,” the stocky agent jumps in.
Out of the corner of my eye, I catch my reflection in the mirror.
I’m of medium height. Not tall, not short. Not too badly put
together for having reached the big four-zero thanks to the cross-training
routine I put myself on not long after my hospital release. Nowadays, my
head is shaved. There’s a small button-sized scar behind my right earlobe
in the place where the fragment of .22 caliber hollow-point penetrated
the skull. I wear a black leather jacket over black jeans and lace-up
combat boots left over from my military service during the first Gulf
War. My eyeglasses are rectangular and retrofitted from a pair of cheap
sunglasses I picked up at a Penn Station kiosk. They make my stubblecovered
face seem slightly wider than it really is. So people have told me.
Having been led to my chair, I am then asked to focus my gaze
directly onto the mirror so that the video man or woman stationed on
the opposite side of the glass can adjust the shooting angle and focus.
“Please say something,” requests Stocky Agent while removing
his suit jacket, setting it over the back of an empty chair.
“There once was a cop from Nantucket ,” I say to break the ice.
But no one laughs.
“You get that?” the taller agent barks out to no one in particular.
“Okay to go,” comes a tinny, hidden speaker voice. “You gonna
finish that poem, Mr. Moonlight?”
“Knock it off,” Stocky Agent orders. Then turns back to me.
“Before we get started, can we get you a coffee? A cappuccino? You can
get one right out of the new machine upstairs.”
“Mind if I burn one?”
Tall Bearded Agent purses his lips, cocks his head in the
direction of a plastic No Smoking placard to the wall.
Stocky Agent makes a sour face, shakes his head, rolls up the
sleeves on his thick arms. He reaches across the heavy wood table, grabs
an ashtray, and clunks it down in front of me as if it were a bedpan.
“The rule doesn’t apply down here,” he says. Then, in this deep
affected voice, he adds, “Let’s get started, Mr. Moonlight. You already
know the routine. For now we just want to get to the bottom of the who,
what, wheres and hows of this train wreck.”
“You forgot the why,” I say, firing up a Marlboro Light. “You
need to know the why to establish an entire familiarity with any given
case.”
Stocky Agent does a double take, smiles. Like he knows I’m
fucking with him.
“Don’t be a dick, Dick,” he says.
I guess it’s important not to take life too seriously. He laughs. I
laugh. We all laugh. Ice officially broken. I exhale some smoke, sit back
in my chair.
They’re right, of course. I know the drill. I know it’s the truth
they’re after. The truth and almost nothing but the truth. But what they
also want is my perspective—my take on the entire Scarlet Montana
affair, from soup to peanuts. They want me to leave nothing out. I’ll start
with my on-again/off-again love affair with my boss’s wife. Maybe from
there I’ll move on to the dead bodies, my cut-up hands, the Saratoga
Springs Russians, the Psychic Fair, the heroin, the illegal organ harvesting
operation, the exhumations, the attempts on my life, the lies, deceptions
and fuck-overs galore.
As a former fulltime Albany detective, I know that nobody sees
the same thing through the same set of eyeballs. What’s important to one
person might appear insignificant or useless to another. What those
federal agents want right now inside the basement interview room is my
most reliable version of the truth—an accurate, objective truth that
separates fact from fantasy.
Theoretically speaking.
“Ask away,” I say, just as the buzzing starts up in the core of my
head.
“Just start at the beginning,” Stocky Agent requests. “We have
all night.”
Sitting up straight, I feel my right arm beginning to go numb on
me. So numb I drop the lit cigarette onto the table. The inside of my
head chimes like a belfry. Stocky Agent is staring at me from across the
table with these wide bug eyes like my skull and brains are about to pull a
JFK all over him.
But then, just as soon as it all starts, the chiming and the
paralysis subsides.
With a trembling hand, I manage to pick up the partially smoked
cigarette, exhale a very resigned, now smokeless breath and stamp the
cancer stick out.
“Everything you wanna know,” I whisper. “You want me to tell
you everything.”
“Everything you remember,” Tall Agent smiles. “If that’s at all
possible.”
Stocky Agent pulls a stick of gum from a pack in his pants
pocket, carefully unwraps the tin foil and folds the gum before stuffing it
into his mouth.
Juicy Fruit. I can smell it from all the way across the table.
By all indicators, it’s going to be a long night.
“I think I’ll take that cappuccino after all,” I say.
For the first time since entering the interview room, I feel the
muscles in my face constricting. I know without looking that my
expression has turned into something miles away from shiny happy. I’m
dead serious.
Read what critics are saying about Moonlight Falls!
"Tough, hard-boiled noir delivered with the kind of fast-paced taut action that represents the best of the genre, Vince Zandri's
Moonlight Falls gives us the kind of protagonist series are built on. "Get your protagonist up a tree and throw rocks at him" is advice given to novelists from Day One: Zandri's character Richard Moonlight isn't up a tree; he's up a Sequoia and those aren't rocks being thrown at him—they're boulders shot out of a cannon. It's become a cliche to say "I couldn't put it down," but in this case, it applies. Not knowing if his next minute might be his last to draw breath—with a bullet fragment lodged in his brain, the artery wrapped around it prohibiting its removal—the tension builds to a fever-pitch as Moonlight is surrounded by enemies all determined to deal one of two outcomes for him—either his death or his arrest for the murder of his lover, and the journey to prove his innocence and the surprise ending will absolutely enthrall readers. Don't begin reading this at night the day before you have to work unless you have a forgiving boss who won't mind if you show up bleary-eyed from staying up all night to read it."
--Les Edgerton, author of Monday's Meal and the writing text, Hooked: Write Fiction That Grabs Readers at Page One and Never Lets Them Go.Vincent Zandri's
MOONLIGHT FALLS VIRTUAL BOOK TOUR ‘10 will officially begin on February 1st and end on March 26th. Please contact Dorothy Thompson at thewriterslife@yahoo.com if you are interested in hosting and/or reviewing his book during his virtual book tour. Thank you!
Icons & Idols: Pop Goes the Culture is an eye-popping visual homage and satire of pop culture that is sure to tickle a funny bone. Icons & Idols is comprised of Victor Pross’ “extreme caricatures” of the famous—such as Elvis Presley, Sylvester Stallone, Marilyn Monroe, George Bush, Albert Einstein—and others icons from the world of film, music and literature. Victor Pross’ most important works –over 70 paintings and drawings–is assembled under one volume to entertain and astound. 
